Music – Instruments – Electrical musical tone generation
Reexamination Certificate
2005-05-24
2005-05-24
Donels, Jeffrey W (Department: 2837)
Music
Instruments
Electrical musical tone generation
C084S645000, C084S615000
Reexamination Certificate
active
06897368
ABSTRACT:
Systems and methods for creating, modifying, interacting with and playing music are provided, particularly systems and methods employing a top-down process, where the user is provided with a musical composition that may be modified and interacted with and played and/or stored (for later play). The system preferably is provided in a handheld form factor, and a graphical display is provided to display status information, graphical representations of musical lanes or components which preferably vary in shape as musical parameters and the like are changed for particular instruments or musical components such as a microphone input or audio samples. An interactive auto-composition process preferably is utilized that employs musical rules and preferably a pseudo random number generator, which may also incorporate randomness introduced by timing of user input or the like, the user may then quickly begin creating desirable music in accordance with one or a variety of musical styles, with the user modifying the auto-composed (or previously created) musical composition, either for a real time performance and/or for storing and subsequent playback. The graphic information preferably is customizable by a user, such as by way of a companion software program, which preferably runs on a PC and is coupled to the system via an interface such as a USB port. A modified MIDI representation of music is employed, preferably, for example, in which musical rule information is embedded in MIDI pitch data, and in which sound samples may be synchronized with MIDI events in a desirable and more optimum manner. The system architecture preferably includes a microprocessor for controlling the overall system operation. A synthesizer/DSP preferably is provided in order to generate audio streams. Non-volatile memory preferably is provided for storing sound banks. Preferably removable non-volatile storage/memory is provided to store configuration files, song lists and samples, and optionally sound bank optimization or sound bank data. A codec preferably is provided for receiving microphone input and for providing audio output. A radio tuner preferably is provided so that output from the radio tuner may be mixed, for example, with auto-composed songs created by the system, which preferably includes a virtual radio mode of operation.
REFERENCES:
patent: 4399731 (1983-08-01), Aoki
patent: 5099740 (1992-03-01), Minamitaka
patent: 5177618 (1993-01-01), Dunlap et al.
patent: 5281754 (1994-01-01), Farrett et al.
patent: 5300723 (1994-04-01), Ito
patent: 5307456 (1994-04-01), MacKay
patent: 5369217 (1994-11-01), Yamashita et al.
patent: 5386081 (1995-01-01), Nakada et al.
patent: 5496962 (1996-03-01), Meier et al.
patent: 5523525 (1996-06-01), Murakami et al.
patent: 5581530 (1996-12-01), Iizuka et al.
patent: 5590282 (1996-12-01), Clynes
patent: 5627335 (1997-05-01), Rigopulos et al.
patent: 5640590 (1997-06-01), Luther
patent: 5648628 (1997-07-01), Ng et al.
patent: 5655144 (1997-08-01), Milne et al.
patent: 5675557 (1997-10-01), Hubinger
patent: 5689081 (1997-11-01), Tsurumi
patent: 5753843 (1998-05-01), Fay
patent: 5763804 (1998-06-01), Rigopulos et al.
patent: 5787399 (1998-07-01), Lee
patent: 5792971 (1998-08-01), Timis et al.
patent: 5801694 (1998-09-01), Gershen
patent: 5864868 (1999-01-01), Contois
patent: 5877445 (1999-03-01), Hufford et al.
patent: 5886274 (1999-03-01), Jungleib
patent: 5900566 (1999-05-01), Mino
patent: 5914941 (1999-06-01), Janky
patent: 5928330 (1999-07-01), Goetz et al.
patent: 5969716 (1999-10-01), Davis et al.
patent: 6011212 (2000-01-01), Rigopulos et al.
patent: 6072480 (2000-06-01), Gorbet et al.
patent: 6074215 (2000-06-01), Tsurumi
patent: 6083009 (2000-07-01), Kim et al.
patent: 6084168 (2000-07-01), Sitrick
patent: 6093880 (2000-07-01), Arnalds
patent: 6121533 (2000-09-01), Kay
patent: 6143971 (2000-11-01), Aoki et al.
patent: 6182126 (2001-01-01), Nathan et al.
patent: 6192340 (2001-02-01), Abecassis
patent: 6353174 (2002-03-01), Schmidt et al.
patent: 6506969 (2003-01-01), Baron
patent: 6657116 (2003-12-01), Gunnerson
patent: 20020023529 (2002-02-01), Kurakake et al.
patent: 20020033090 (2002-03-01), Iwamoto et al.
patent: 20020046899 (2002-04-01), Mizuno et al.
patent: 20030013497 (2003-01-01), Yamaki et al.
patent: 20030176206 (2003-09-01), Taniguchi et al.
patent: 20030205125 (2003-11-01), Futamase et al.
patent: 20040039796 (2004-02-01), Watkins
patent: 484047 (1991-10-01), None
patent: 0702366 (1995-09-01), None
patent: 0747877 (1996-06-01), None
patent: 0857343 (1996-10-01), None
patent: 2306043 (1997-04-01), None
patent: WO 8805200 (1988-07-01), None
patent: WO 8902641 (1989-03-01), None
patent: WO 9715043 (1997-04-01), None
patent: WO 9735299 (1997-09-01), None
patent: WO 9833169 (1998-07-01), None
patent: WO 0163592 (2001-08-01), None
patent: WO 0173748 (2001-10-01), None
patent: WO 0186625 (2001-11-01), None
patent: WO 0186626 (2001-11-01), None
patent: WO 0186627 (2001-11-01), None
patent: WO 0186628 (2001-11-01), None
patent: WO 0186629 (2001-11-01), None
patent: WO 0186630 (2001-11-01), None
patent: WO 02077585 (2002-10-01), None
U.S. patent appln. Publication No. US 2002/0170415, Nov. 21, 2002, “System and Method for Music Creation and Rearrangement”, by Hruska et al., Appl. No. 10/106,743.
Beatnik Rich Music Format, 2 pages, 2002.
Beatnik Audio Engine White Paper, 6 pages, 2001.
Beatnik AudioEngine, 2 pages, 2002.
Beatnik mobileBAE version 02.02w, 2 pages, 2002.
Beatnik mobileBAE version 11.02w, 2 pages, 2002.
Combining musical theory and practice, IBM Computer Music Center, apparently Jun. 29, 1995.
dream, an Atmel Company: SAM9407. “Programmer's Reference,” pp. 1-61, Rev. 11, Dec. 1996.
dream, an Atmel Company: SAM9707, “Integrated Sound Studio,” pp. 1-20, Jan. 1998.
GenJam: An Interactive Genetic Algorithm Jazz Improviser, John A. Biles, popular version of paper 4pMU1 apparently presented Dec. 4, 1997.
GenJam: A Genetic Algorithm for Generating Jazz Solos, John A. Biles, date apparently after 1993.
GenJam Populi: Training an IGA via Audience-Mediated Performance, John A. Biles, apparently Sep. 15, 1995.
Information on how to purchase Kid Riffs, IBM, date unknown.
Interactive GenJam: Integrating Real-Time Performance with a Genetic Algorithm, John A. Biles, apparently after 1996.
Hemmings, Richard, Scary Computer Music, apparently from Avant Magazine, Issue 7, Summer 1998, p. 12.
Kid Riffs, IBM Computer Music Center, date unknown.
Louis, Duke, Miles—and MAC? Business Week Archives, apparently Dec. 18, 1995.
Mithic, a New Generation of Music, Thomson Multimedia, 3 pages, Jul. 8, 2002.
Mithic, the First Interactive Music Composer, 2 pages, 2002.
Thomson Multimedia presents Mithic Technology, 3 pages (2 slides per page), undated.
Thomson Multimedia launches Mithic, a unique Technology to to deliver personalized interactive Music, Feb. 25, 2002.
Thomson to present the Mithic Composer Technology at DEMOmobile Conference, Sep. 19, 2002.
Mobile Media Analyst, “Music Services Might Soon Break Out of the Ring-Tone Mold,” Mobile management report, pp. 5-12, Jan. 10, 2003.
Motorola C350 Cellular Phone User Manual, selected pages on MotoMixer Sound Editor, Motorola, Inc., pp. 1, 2, 129-131, 2002.
Music Sketcher, IBM Computer Music Center, date unknown.
Music Sketcher Section Details, IBM, apparently 1998.
Musical Computers, Miles Davis, version 2.1, apparently from The Economist, Dec. 6, 1997, p. 92.
Roland Corporation, “Personal Music Assistant Owner's Manual”, Dec. 18, 1995, Entire Manual.
Yamaha Mobile Audio 3, MA-3, YMU762, Yamaha LSI, Yamaha Corp., Preliminary May 9, 2001, p. 1-14.
Donels Jeffrey W
Loudermilk & Associates
LandOfFree
Systems and methods for creating, modifying, interacting... does not yet have a rating. At this time, there are no reviews or comments for this patent.
If you have personal experience with Systems and methods for creating, modifying, interacting..., we encourage you to share that experience with our LandOfFree.com community. Your opinion is very important and Systems and methods for creating, modifying, interacting... will most certainly appreciate the feedback.
Profile ID: LFUS-PAI-O-3415744