Music – Instruments – Electrical musical tone generation
Patent
1993-05-21
1996-05-28
Witkowski, Stanley J.
Music
Instruments
Electrical musical tone generation
84619, 84630, 84650, 84453, G10H 102, G10H 120, G10H 136, G10H 700
Patent
active
055213235
ABSTRACT:
A system for interpreting the requests and performance of an instrumental soloist, stated in the parlance of the musician and within the context of a specific published edition of music the soloist is using, to control the performance of a digitized musical accompaniment. Sound events and their associated attributes are extracted from the soloist performance and are numerically encoded. The pitch, duration and event type of the encoded sound events are then compared to a desired sequence of the performance score to determine if a match exists between the soloist performance and the performance score. If a match exists between the soloist performance and the performance score, the system instructs a music synthesizer module to provide an audible accompaniment for the soloist. The system can provide an accompaniment for a selectable amount of time even if the soloist intentionally or unintentionally departs from the score.
REFERENCES:
patent: 4471163 (1984-09-01), Donald et al.
patent: 4546687 (1985-10-01), Minami
patent: 4562306 (1985-12-01), Chou et al.
patent: 4593353 (1986-06-01), Pickholtz
patent: 4621321 (1986-11-01), Boebert et al.
patent: 4685055 (1987-08-01), Thomas
patent: 4688169 (1987-08-01), Joshi
patent: 4740890 (1988-04-01), William
patent: 4745836 (1988-05-01), Dannenberg
patent: 4771671 (1988-09-01), Hoff, Jr.
patent: 4829872 (1989-05-01), Topic et al.
patent: 4960031 (1990-10-01), Farrand
patent: 5034980 (1991-07-01), Kubota
patent: 5056009 (1991-10-01), Mizuta
patent: 5113518 (1992-05-01), Durst, Jr. et al.
patent: 5131091 (1992-07-01), Mizuta
patent: 5138926 (1992-08-01), Stier et al.
patent: 5241128 (1993-08-01), Imaizumi et al.
P. Allen et al., "Tracking Musical Beats in Real Time," ICMC Glascow 1990 Proceedings, (1990), pp. 140-143.
J. Bloch et al., "Real-Time Computer Accompaniment of Keyboard Performances," Proceedings of International Computer Music Conference, (1985), pp. 279-290.
W. Buxton et al., "The Computer as Accompanist," CHI '86 Proceedings, (Apr. 1986), pp. 41-43.
P. Capell et al., "Instructional Design and Intelligent Tutoring. Theory and the Precision of Design," Jl. of Artificial Intelligence in Education, (1993) 4(1), pp. 95-121.
R. Dannenberg, "Music Representation Issues, Techniques, and Systems," Computer Music Journal, 17:3 (Fall 1993), pp. 20-30.
R. Dannenberg et al., "Results from the Piano Tutor Project," The Fourth Biennial Arts & Technology Symposium, Connecticut College (Mar. 1993), pp. 143-149.
R. Dannenberg, "Software Support for Interactive Multimedia Performance," Interface, vol. 22 (1993), pp. 213-228.
R. Dannenberg et al., "Human-Computer Interaction in the Piano Tutor," Multimedia Interface Design, (1992), pp. 65-78.
R. Dannenberg et al., "Practical Aspects of a Midi Conducting Program," Proceedings of International Computer Music Conference, (1991), pp. 537-540.
R. Dannenberg, "Software Support for Interactive Multimedia Performance," Proceedings The Arts and Technology 3, The Center for Art and Technology at Connecticut College, (1991), pp. 148-156.
R. Dannenberg, Real-Time Computer Accompaniment, Copyright 1990 Roger B. Dannenberg, Handout at Accoustical Society of America May 1990, pp. 1-10.
R. Dannenberg et al., "An Expert System for Teaching Piano to Novices," ICMC Glasgow Proceedings, (1990), pp. 20-23.
R. Dannenberg, "Recent work in real-time music understanding by computer," Music, Language, Speech and Brain, Wenner-Gren International Symposium Series, vol. 59, (1990), pp. 194-202.
R. Dannenberg, "Real Time Control For Interactive Computer Music and Animation," The Arts & Technology II: A Symposium, Connecticut College, (1989), pp. 85-95.
R. Dannenberg, "Real-Time Scheduling and Computer Accompaniment," Current Directions in Computer Music Research, (1989), pp. 225-261.
R. Dannenberg et al., "New Techniques for Enhanced Quality of Computer Accompaniment," ICMC Proceedings, (1988), pp. 243-249.
R. Dannenberg et al., "Following an Improvisation in Real Time," ICMC Proceedings, ICMA pub., (1987), pp. 241-248.
R. Dannenberg, "An On-Line Algorithm for Real-Time Accompaniment," Copyright 1985 Roger B. Dannenberg, ICMC '84 Proceedings, pp. 193-198.
L. Grubb et al., "Automated Accompaniment of Musical Ensembles," Proceedings of 12th National Conference on Artificial Intelligence, (1994), pp. 94-99.
J. Lifton, "Some Technical and Aesthetic Considerations in Software for Live Interactive Performance," ICMC '85 Proceedings, (1985), pp. 303-306.
M. Puckette et al., "Score following in practice," ICMC Proceedings, ICMA pub. (1992), pp. 182-185.
B. Vercoe, "The Synthetic Performer in the Context of Live Performance," ICMC '84 Proceedings, (1984), pp. 199-200.
B. Vercoe et al., "Synthetic Rehearsal: Training the Synthetic Performer," ICMC '85 Proceedings, (1985), pp. 275-289.
F. Weinstock, "Demonstration of Concerto Accompanist, a Program for the Macintosh Computer," Demonstration of Concerto Accompanist, Sep. 1993, pp. 1-3.
Dunn Mark E.
Paulson John W.
Weisbrod Stephen P.
Coda Music Technologies, Inc.
Witkowski Stanley J.
LandOfFree
Real-time performance score matching does not yet have a rating. At this time, there are no reviews or comments for this patent.
If you have personal experience with Real-time performance score matching, we encourage you to share that experience with our LandOfFree.com community. Your opinion is very important and Real-time performance score matching will most certainly appreciate the feedback.
Profile ID: LFUS-PAI-O-788194