Card – picture – or sign exhibiting – Signs
Reexamination Certificate
2000-10-17
2002-03-12
Santos, Robert G. (Department: 3628)
Card, picture, or sign exhibiting
Signs
C101S483000, C428S195100
Reexamination Certificate
active
06354029
ABSTRACT:
The present invention relates to a painted, flexible, temporary decorative surface, intended in particular to be exposed in a stretched state, out of doors, such as decorations outside buildings and signs.
Such decorative surfaces in the form of large multicoloured decorations carrying information or advertising and produced on textile supports stretched vertically on scaffolding or directly on buildings are increasingly to be seen in towns. In the same way, also, giant signs or banners are produced to publicize temporary events. They are generally and often inaccurately called “painted canvases”, a generic term that will be retained in the description which follows.
The production of these “painted canvases” raises two principal types of problem:
the mechanical strength of the canvases,
graphical reproduction on the canvases.
The forces exerted by the wind and borne by the canvases increase with their surface area, their degree of impermeability to air and the level of exposure of their location. More specifically, the effects of pressure drops, may, in bad weather, transmit considerable tearing forces to the anchoring points of the canvases, situated at their periphery. Furthermore, these productions being temporary, some makers, for reasons of economy, gamble on the low probability of experiencing a storm and disregard these risks.
In the present state of the art, for their production, professionals use the following materials:
strong textile canvases coated with PVC (FIGS.
1
A and
1
B),
reinforced or unreinforced strong and very lightweight fabrics, of the type of “spinnaker cloth”, customarily used on racing yachts,
nets of strong threads, continuously coated with a plastic film,
strong textiles of the type comprising an open mesh blocked by a coating,
strong, more or less open fabrics, not blocked by a coating (FIGS.
2
A and
2
B).
It should be noted that:
the first three types of canvas have continuous surfaces that are not permeable to air, and therefore necessarily have to be very strong.
The last-named two types of canvas, specifically created to reduce the effects of the wind, have a surface pierced by the multiplicity of apertures resulting from the loose weave (for example: 22% of apertures in the textile shown in FIG.
2
A).
The methods currently used for graphic reproduction on the canvases are:
direct painting with a brush,
silk-screen printing,
painting with a manual spray-gun,
application of precut elements, usually comprising sheets of adhesive-coated coloured vinyl,
ink microjets applied with automatic machines, for example in four-colour printing.
Whatever may be the nature of the canvas:
the first two reproduction techniques deposit relatively thick films of paint or ink, forming air-impermeable surfaces on the canvases, since the paints generally block the apertures in the canvases;
painting with a conventional manual spray-gun, as well as not permitting complex reproductions to be achieved economically, projects relatively large droplets which block a large proportion of the pores of the permeable canvases;
in general terms, paint or thick inks form films stretched between the fibres of the canvas; these films block the orifices and reduce the permeability of the canvas;
the application of precut elements of coloured vinyl renders the canvas completely impermeable at the locations where such elements are applied;
the “ink microjet” technology, using micro-droplets that are automatically precision-projected, allows any apertures in the canvases to be left free, preserving their permeability to air, since the ink usable with such apparatus has to be extremely fluid, in a manner such that the microdroplets can only be deposited on the fibres of the fabric of the canvas. In this case, however, there is the disadvantage that the fidelity of reproduction is reduced since the surface area available for graphics is reduced by the surface area of the apertures in the fabric of the canvas.
To summarize, in the present state of the art, painted canvases such as decorations and signs giving satisfactory graphic definition are impermeable to air, while those which are permeable to air give reduced-contrast graphical reproduction.
The object of the present invention is to remedy these disadvantages with the proposed creation of a painted canvas or painted decorative surface offering excellent graphic definition while being very permeable to air in order to avoid undergoing and transmitting considerable stresses at the attachment points.
To this end, the invention relates to a decorative surface of the type defined above, characterized in that it comprises:
a substrate made from a fire-resistant, highly air-permeable, nonwoven material,
a decoration produced on the substrate by automatic projection of ultrafine inks.
The “nonwoven” material has a structure related to that of felts or products used to form filters. These flexible and permeable nonwoven materials, which are available in large machine widths and fire-resistant, have a thickness of about 1 to 2 mm and a microstructure which is aerated in three dimensions, by contrast with loose fabrics, nets and textile meshes which may be equated with two-dimensional structures.
The structure of a nonwoven material of the “filter” type is a lap formed of a multitude of microfibres, of a diameter of about 10 microns, randomly distributed, oriented in all directions and interwoven. These fibres occupy the bulk of the lap, leaving passages which allow fluids to pass through the lap from one surface to the other. However, such a lap is not transparent. A ray of light cannot pass through it since, statistically, it offers no rectilinear passage passing from one surface to the other of the lap (whatever may be the inclination of the ray relative to the lap). However, this lap is translucent, light passing through it by way of multiple diffraction, following paths that are very schematically similar to those followed by fluids undergoing filtration.
The nonwoven materials may be composed so that their features of permeability and fire-resistance, and also of their mechanical strength, are adapted to the invention by modification of their composition and/or mode of manufacture. For example, a technique for the manufacture of nonwovens exists which increases their strength in one of the two directions of their plane, a specialized variation which may be useful for certain canvases.
By automatic projection of microdroplets (ink microjets) using extremely fluid inks, microdroplet ink jets are formed. These microdroplets become caught on the apparent surface of the fibres of the lap of nonwoven material.
Such microdroplets are not diverted from their trajectory, so they adhere to the fibres as they encounter them. This gives an extremely continuous aspect when viewed from the front (as regards the line produced by a single jet of coloured ink).
The lines left by the jets of the various coloured inks are superposed as a function of the gradations of the design to be produced.
In other words, by virtue of the “non-transparency” of the lap of nonwoven material, the ink droplets will, statistically, always encounter a fibre in the course of their trajectory and create a dot of colour.
The impression given when viewed from the front, therefore, will be a line identical to that which would be left by the microjet on a planar surface, for example a sheet of paper.
Because of their extremely small dimensions, these microjets only become caught or fixed on one fibre, without forming a veil between a plurality of fibres. Hence, there is no risk of partial obstruction of the free passages between the fibres since, after the passing of the microjet, the structure of the lap of nonwoven material is entirely preserved, the only modifications being the spots of colour borne by the fibres.
The permeability of the lap is thus virtually entirely preserved.
Graphical reproductions by ink microjets can be produced, for example, in four-colour printing; the microjets move perpendicularly and successively to the surface of the lap.
The lines of colou
Drinker Biddle & Reath LLP
Santos Robert G.
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