Supports – Easel; book – copy or music score holder
Reexamination Certificate
2002-04-09
2003-05-20
Ramirez, Ramon O. (Department: 3632)
Supports
Easel; book, copy or music score holder
C248S118300
Reexamination Certificate
active
06565059
ABSTRACT:
BACKGROUND OF THE INVENTION
1. Field of the Invention
The present invention relates to a hand rest for use in connection with an artist's easel. The hand rest has particular utility in connection with helping the artist to steady his hand when painting.
2. Description of the Prior Art
Hand rests are desirable to the artist for steadying the hand when performing delicate brush strokes. The use of this invention provides added control to both the oil and watercolor artist. The hand rest is a welcome addition to the recreational artist because it can help him complete more difficult brush strokes with a steadier hand. Additionally, the hand rest is lightweight and easy to install, making it readily portable.
The use of hand rests is known in the prior art. One conventional device, which is widely known in the art, is a maulstick; however, there are problems inherent in its use. The major problem is that one end of the maul stick rests on the media which may damage the artwork, especially for oils which have extended drying times. Since substantial effort and skill are required for an artist to hold the rubber-tipped end of the maulstick firmly against the work surface with one hand at the same time painting or drawing with the other hand while it rests on the stick, amateur artists and those without strong hands would not benefit from using this device.
Other types of hand rest devices are also known in the art. For example, U.S. Pat. No. 5,141,198 to Marion E. Hoyt discloses an apparatus for steadying one's arm at an easel and use thereof. However, the Hoyt '198 patent provides only a single point of origin for the arc of the hand rest member such that the hand rest member is at an uncomfortable angle for some portions of the canvas, and has the further drawback of not providing a means of ensuring that some part of the hand rest member will not drag against the artist's work if accidentally dropped.
U.S. Pat. No. 3,815,856 to Angelo J. Cortimilia discloses a hand rest attachment for artist's easel that enables the artist to rest and steady his hand. However, the Cortimilia '856 patent applies only to floor easels and makes no provision for tabletop easels. Additionally, since the Cortimilia '856 device is affixed to the easel with several fasteners, it is not easily attached or detached from the easel for multiple uses on the same piece of work. Thereby, the artist would be forced to either paint with the device interfering with his workspace or take several minutes to attach and detach the device with each use.
Similarly, U.S. Pat. No. 5,765,791 to Raymond R. Givonetti discloses a hand rest for an easel that provides a palm rest within which the artist's hand rests. However, the Givonetti '791 patent does not provide for free movement of the hand along the support member, and the device must be remounted if the arc defined by the initial placement does not cover the area within which the artist desires to work.
Likewise, U.S. Pat. No. 5,299,772 to Michael S. Weber discloses multifunctional tools for artists that provide a hand bridge upon which the hand can be rested. The Weber '772 patent is similar to the previously described maulstick device, with a hand bridge pivotally mounted on the frame of a canvas. However, the Weber '772 device allows only three positions in which the hand bridge may reside, and has the further drawback of supporting the distal end of the hand bridge against the canvas.
U.S. Pat. No. 5,172,883 to Acop J. Amirian discloses an artist's tool which enables the artist to rest his hand while painting a canvas. The Amirian '883 device has a horizontal support that can be vertically adjusted and a vertical support which can be horizontally adjusted. However, the Amirian '883 device is designed such that it can be used on only one type and or size of easel. This device can not easily be removed from the easel and placed on another easel of a different size and construction.
Lastly, U.S. Pat. No. Des. 376,618 to Tommy N. Hix discloses an ornamental design for a hand rest, presumably to be used in conjunction with an artist's easel. However, the Hix '618 patent does not provide any means of attachment to an easel, and has the additional deficiency of only allowing motion in a horizontal plane.
While the above-described devices fulfill their respective, particular objectives and requirements, the aforementioned patents do not describe a hand rest for an artist's easel that allows easy attachment to and detachment from any type of easel for both right and left-handed artists and provides multitudinous angles and positions from which to paint. The Hoyt '198 patent makes no provision for protecting the artist's work if the end of the device is accidentally dropped and also requires the artist to work from an uncomfortable angle for some portions of the canvas since the hand rest is fixed at one end. The Cortimilia '856 patent applies to only floor type easels and requires the artist to adjust several fasteners for attachment and detachment, rendering it difficult to remove during the artist's work session. The Givonetti '791 patent does not provide for free movement of the hand along the support member, and the device must be remounted if the arc defined by the initial placement does not cover the area within which the artist desires to work. The Weber '772 patent allows only three positions in which the hand bridge may reside, and has the further drawback of supporting the distal end of the hand bridge against the canvas. The Amirian '883 patent can only be used on one type and or size of easel and can not easily be removed from the easel and placed on another easel of a different size and construction. Finally, the Hix '618 patent does not provide any means of attachment to an easel, and has the additional deficiency of only allowing motion in a horizontal plane.
Therefore, a need exists for a new and improved hand rest for an artist's easel that can be used for supporting the artist's hand while painting. In this regard, the present invention substantially fulfills this need. In this respect, the hand rest for an artist's easel according to the present invention substantially departs from the conventional concepts and designs of the prior art, and in doing so provides an apparatus primarily developed for the purpose of supporting an artist's hand while painting.
SUMMARY OF THE INVENTION
In view of the foregoing disadvantages inherent in the known types of hand rest for an artist's easel now present in the prior art, the present invention provides an improved hand rest for an artist's easel, and overcomes the above-mentioned disadvantages and drawbacks of the prior art. As such, the general purpose of the present invention, which will be described subsequently in greater detail, is to provide a new and improved hand rest for an artist's easel which has all the advantages of the prior art mentioned heretofore and many novel features that result in a hand rest for an artist's easel which is not anticipated, rendered obvious, suggested, or even implied by the prior art, either alone or in any combination thereof.
To attain this, the present invention essentially comprises a hand rest for mounting on a canvas or easel which consists of a first adjustable vertical member having a series of uniquely shaped pegs extending therefrom for engaging an easel in a plurality of orientations, such that a supplemental rod further removably couples to the peg-like members for presenting a horizontally adjustable arm resting element.
There has thus been outlined, rather broadly, the more important features of the invention in order that the detailed description thereof that follows may be better understood and in order that the present contribution to the art may be better appreciated.
The invention may also include a means for mounting the hand rest for an artist's easel on a canvas or easel. There are, of cours
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