Audio buffers with audio effects

Details Audio buffers with audio effects Audio buffers with audio effects

2011-01-04

2011-01-04

Flanders, Andrew C (Department: 2614)

Data processing: generic control systems or specific application

Specific application, apparatus or process

Digital audio data processing system

Reexamination Certificate

active

07865257

ABSTRACT:
An audio buffer includes one or more audio effect resources that modify audio data received from an audio data source. A first audio effect resource in the audio buffer receives audio data from the audio data source and modifies the audio data to generate a stream of audio data. Subsequent audio effect resource(s) in the audio buffer receives the stream of audio data from the first audio effect and further modifies the audio data to generate a stream of modified audio data. The stream of modified audio data can then routed from the audio buffer to a second audio buffer, or communicated to an audio rendering component that produces an audio rendition corresponding to the modified audio data.

REFERENCES:
patent: 5142961 (1992-09-01), Paroutaud
patent: 5303218 (1994-04-01), Miyake
patent: 5315057 (1994-05-01), Land et al.
patent: 5331111 (1994-07-01), O'Connell
patent: 5483618 (1996-01-01), Johnson et al.
patent: 5511002 (1996-04-01), Milne et al.
patent: 5548759 (1996-08-01), Lipe
patent: 5565908 (1996-10-01), Ahmad
patent: 5596159 (1997-01-01), O'Connell
patent: 5717154 (1998-02-01), Gulick
patent: 5734119 (1998-03-01), France et al.
patent: 5761684 (1998-06-01), Gibson
patent: 5768545 (1998-06-01), Solomon et al.
patent: 5778187 (1998-07-01), Monteiro et al.
patent: 5792971 (1998-08-01), Timis et al.
patent: 5842014 (1998-11-01), Brooks et al.
patent: 5852251 (1998-12-01), Su et al.
patent: 5890017 (1999-03-01), Tulkoff et al.
patent: 5902947 (1999-05-01), Burton et al.
patent: 5942707 (1999-08-01), Tamura
patent: 5977471 (1999-11-01), Rosenzweig
patent: 5990879 (1999-11-01), Mince
patent: 6044408 (2000-03-01), Engstrom et al.
patent: 6100461 (2000-08-01), Hewitt
patent: 6152856 (2000-11-01), Studor et al.
patent: 6160213 (2000-12-01), Arnold et al.
patent: 6169242 (2001-01-01), Fay et al.
patent: 6173317 (2001-01-01), Chaddha et al.
patent: 6175070 (2001-01-01), Naples et al.
patent: 6180863 (2001-01-01), Tamura
patent: 6216149 (2001-04-01), Conner et al.
patent: 6225546 (2001-05-01), Kraft et al.
patent: 6233389 (2001-05-01), Barton et al.
patent: 6301603 (2001-10-01), Maher et al.
patent: 6357039 (2002-03-01), Kuper
patent: 6433266 (2002-08-01), Fay et al.
patent: 6541689 (2003-04-01), Fay et al.
patent: 6628928 (2003-09-01), Crosby et al.
patent: 6640257 (2003-10-01), MacFarlane
patent: 6658309 (2003-12-01), Abrams et al.
patent: 2001/0053944 (2001-12-01), Marks et al.
patent: 2002/0108484 (2002-08-01), Arnold et al.
patent: 2002/0144587 (2002-10-01), Naples et al.
patent: 2002/0144588 (2002-10-01), Naples et al.
Berry, “An Introduction to GrainWave”, Computer Music Journal, Spring 1999, vol. 23, No. 1, pp. 57-61.
Camurri, et al., “A Software Architecture for Sound and Music Processing”, Microprocessing and Microprogramming, Sep. 1992, vol. 35, pp. 625-632.
Cohen, et al., “Multidimensional Audio Window Management”, International Journal of Man-Machine Studies, 1991, vol. 34, No. 3, pp. 319-336.
Dannenberg, et al., “Real-Time Software Synthesis on Superscalar Architectures”, Computer Music Journal, Fall 1997, vol. 21, No. 3, pp. 83-94.
Harris, et al.; “The Application of Embedded Transputers in a Professional Digital Audio Mixing System”; IEEE Colloquium on “Transputer Applications”; Digest No. 129, 2/ 1-3 (uk Nov. 13, 1989).
Inside DirectX, Bradely Bargen and Peter Donnelly, (Microsoft Press; 1998).
Malham, et al., “3-D Sound Spatialization using Ambisonic Techniques”, Computer Music Journal, Winter 1995, vol. 19, No. 4, pp. 58-70.
Meeks, “Sound Forge Version 4.0b”, Social Science Computer Review, Summer 1998, vol. 16, No. 2, pp. 205-211.
Meyer, “Signal Processing Architecture for Loudspeaker Array Directivity Control”, ICASSP, Mar. 1985, vol. 2, pp. 16.7.1-16.7.4.
Miller, “Audio-Enhanced Computer Assisted Learning and Computer Controlled Audio-Instruction”, Computer Education, Pergamon Press Ltd., 1983, vol. 7, pp. 33-54.
Moorer, “The Lucasfilm Audio Signal Processor”; Computer Music Journal, vol. 6, No. 3, Fall 1982, 0148-9267/82/030022-11; pp. 22 through 32.
Nieberle, et al., “CAMP: Computer-Aided Music Processing”, Computer Music Journal, Summer 1991, vol. 15, No. 2, pp. 33-40.
Piche, et al., “Cecilia: A Production Interface to Csound”, Computer Music Journal, Summer 1998, vol. 22, No. 2 pp. 52-55.
Reilly, et al., “Interactive DSP Debugging in the Multi-Processor Huron Environment”, ISSPA, Aug. 1996, pp. 270-273.
Stanojevic, et al., “The Total Surround Sound (TSS) Processor”, SMPTE Journal, Nov. 1994, vol. 3, No. 11, pp. 734-740.
Ulianich, “Project FORMUS: Sonoric Space-Time and the Artistic Synthesis of Sound”, Leonardo, 1995, vol. 28, No. 1, pp. 63-66.
Vercoe, “New Dimensions in Computer Music”; Trends & Perspectives in Signal Processing; Focus, Apr. 1982; pp. 15 through 23.
Vercoe, et al; “Real-Time CSOUND: Software Synthesis with Sensing and Control”; ICMC Glasgow 1990 for the Computer Music Association; pp. 209 through 211.
Waid, “APL and the Media”, Proceedings of the Tenth APL as a Tool of Thought Conference, held at Stevens Institute of Technology, Hoboken, New Jersey, Jan. 31, 1998, pp. 111-122.
Wippler, “Scripted Documents”, Proceedings of the 7th USENIX Tcl/TKConference, Austin Texas, Feb. 14-18, 2000, The USENIX Association.

Affiliated with

Also associated with

Rating

Audio buffers with audio effects does not yet have a rating. At this time, there are no reviews or comments for this patent.

If you have personal experience with Audio buffers with audio effects, we encourage you to share that experience with our LandOfFree.com community. Your opinion is very important and Audio buffers with audio effects will most certainly appreciate the feedback.

Rate now

Comments { 0 }

Profile ID: LFUS-PAI-O-2620561