Method and apparatus for real-time correlation of a performance

Music – Instruments – Electrical musical tone generation

Patent

Rate now

  [ 0.00 ] – not rated yet Voters 0   Comments 0

Details

84610, 84616, 84649, 84650, 84477R, G10H 100, G10H 700

Patent

active

059525975

ABSTRACT:
The invention relates to a computerized method for correlating a performance, in real time, to a score of music, and a machine based on that method. A score processor accepts a score which a user would like to play and converts it into a useable format. Performance input data is accepted by the input processor and the performance input data is correlated to the score on a note-by-note basis. An apparatus for performing this method includes an input processor that receives input and compares it to the expected score to determine whether an entire chord has been matched, and an output processor which receives a note match signal from the input processor and provides an output stream responsive to the match signals.

REFERENCES:
patent: 4471163 (1984-09-01), Donald et al.
patent: 4484507 (1984-11-01), Nakada et al.
patent: 4485716 (1984-12-01), Koike
patent: 4506580 (1985-03-01), Koike
patent: 4562306 (1985-12-01), Chou et al.
patent: 4593353 (1986-06-01), Pickholtz
patent: 4602544 (1986-07-01), Yamada et al.
patent: 4621321 (1986-11-01), Boebert et al.
patent: 4630518 (1986-12-01), Usami
patent: 4651612 (1987-03-01), Matsumoto
patent: 4685055 (1987-08-01), Thomas
patent: 4688169 (1987-08-01), Joshi
patent: 4740890 (1988-04-01), William
patent: 4745836 (1988-05-01), Dannenberg
patent: 5034980 (1991-07-01), Kubota
patent: 5056009 (1991-10-01), Mizuta
patent: 5113518 (1992-05-01), Durst, Jr. et al.
patent: 5131091 (1992-07-01), Mizuta
patent: 5315911 (1994-05-01), Ochi
patent: 5455378 (1995-10-01), Paulson et al.
patent: 5491751 (1996-02-01), Paulson et al.
patent: 5521323 (1996-05-01), Paulson et al.
patent: 5521324 (1996-05-01), Dannenberg et al.
patent: 5585585 (1996-12-01), Paulson et al.
patent: 5693903 (1997-12-01), Heidorn et al.
Allen et al., "Tracking Musical Beats in Real Time",International Computer Music Association, pp. 140-143, (1990).
Bloch et al., "Real-Time Computer Accompaniment of Keyboard Performances",Proceedings of the 1985 International Computer Music Conf., pp. 279-290 (1985).
Capell et al., "Instructional Design and Intelligent Tutoring: Theory and the Precision of Design",Jl. of Artificial Intell. in Educ., vol.:4(1), pp. 95-121 (1993).
Dannenberg, "The Computer as Accompanist",CHI'86 Proceedings, pp. 41-43, (Apr. 1986).
Dannenberg, "Music Representation Issues, Techniques, and Systems",Computer Music Journal, vol.:17(3), pp. 20-30 (1993).
Dannenberg, "Results from the Piano Tutor Project",The Fourth Biennial Arts & Techhnology Symposium, the Center for Arts & Tech. at CT College, pp. 143-150 (Mar. 4-7, 1993).
Dannenberg, "Software Support for Interactive Multimedia Performance",Interface, vol.:22, pp. 213-228 (1993).
Dannenberg, "Human-Computer Interaction in the Piano Tutor", Multimedia Interface Design, pp. 65-78 (1992).
Dannenberg, "Practical Aspects of a Midi Conducting Program", Proceedings of the 1991 Int'l Computer Music Conf., Computer Music Assoc., pp. 537-540 (1991).
Dannenberg, "Software Support for Interactive Multimedia Performance", Proceedings the Arts and Technology, The Center for Art & Tech. at CT College, pp. 148-156 (1991).
Dannenberg, "Real-Time Computer Accompaniment",Handout at Acoustical Society of America, pp. 1-10 (May 1990).
Dannenberg, "An Expert System for Teaching Piano to Novices",International Computer Music Assoc., pp. 20-23 (1990).
Dannenberg, "Recent Work in Real-Time Music Understanding by Computer",Music, Language, Speech and Brain, Wenner-Gren Int'l Symposium Series, vol.:59, pp. 194-202 (1990).
Dannenberg, "Real-Time Control for Interactive Computer Music and Animation",The Arts & Tech. II: A Symposium, CT College, pp. 85-95 (1989).
Dannenberg, "Real-Time Scheduling and Computer Accompaniment",Current Directions in Computer Music Research, edited by Max. V. Mathews & John R. Pierce, MIT Press, Camb., MA, pp. 225-261 (1989).
Dannenberg, "New Techniques for Enhanced Quality of Computer Accompaniment",ICMC Proceedings, pp. 242-249 (1988).
Dannenberg, "Following an Improvisation in Real Time", ICMC Proceedings, pp. 241-248 (1987).
Dannenberg, "An On-Line Algorithm for Real-Time Accompaniment", ICMC '84 Proceedings, pp. 193-198 (1985).
Grubb et al., "Automated Accompaniment of Musical Ensembles",Proceedings of the 12th Nat'l Conf. on Artificial Intel, pp. 94-99 (1994).
Lifton et al., "Some Technical and Aesthetic Considerations in Software for Live Interactive Performance", ICMC '85 Proceedings, pp. 303-306 (1985).
McKee, "Vivace", Bandworld, The Int'l Band Magazine, (Oct.-Dec., 1989).
"Music to Your Ears", Rolling Stone, (Dec. 1, 1994).
Puckette et al., ICMC Proceedings, ICMA pub. pp. 182-185 (1992).
Vercoe, "The Synthetic Performer in the Context of Live Performance",ICMC '84 Proceedings, pp. 199-200 (1985).
Vercoe et al., "Synthetic Rehearsal: Training the Synthetic Performer",ICMC '85 Proceedings, pp. 275-289 (1985).
Weinstock, "Demonstration of Concerto Accompanist, a Program for the Macintosh Computer", pp. 1-3 (Sep. 1993).
"Welcome to the Vivace Room", Musical Merchandise Review, pp. 124-127 (Jan. 1995).
Cavaliere et al., "From Computer Music to the Theater: The Realization of a Theatrical Automaton", Computer Music Journal, vol.:6(4) (Winter 1982).
Kowalski et al., "The N.Y.I.T. Digital Sound Editor",Computer Music Journal, vol:6(1) (Spring 1982).
Roads, "A Report on Spire: An Interactive Audio Processing Environment",Computer Music Journal, vol.:7(2) (Summer 1983).
CueTime.TM. Software "The software that follows you|" Product Brochure by Yamaha Corporation. Date unknown--not admitted to be prior art.
Vivace.RTM. Intelligent Accompanist.TM. Product Brochure by Coda Music Technology. Date unknown--not admitted to be prior art.
Bloom, "Use of Dynamic Programming for Automatic Synchronization of Two Similar Speech Signals," 1984 International Conference on Acoustics, Speech and Signal Processing, pp. 2.6.1-2.6.4.
Moorer, "Signal Processing Aspects of Computer Music: A Survey," Digital Audio Signal Processing An Anthology, pp. 149-220.
Kowalski et al., "The N.Y.I.T. Digital Sound Editor," Computer Music Journal, vol. 6, No. 1, Spring 1982, pp. 66-73.
Cavaliere et al., "From Computer Music to the Theater: The Realization of a Theatrical Automaton," Computer Music Journal, vol. 6, No. 4, Winter 1982, pp. 22-35.
Roads, "A Report on Spire: An Interactive Audio Processing Environment," Computer Music Journal, vol. 7, No. 2, Summer 1983, pp. 70-74.
"Notes and Announcements," Computer Music Journal, vol. 7, No. 4, Winter 1983, p. 3.
Weinstock, "Demonstration of Concerto Accompanist, a Program for the Macintosh Computer," 1993 Proceedings of the International Computer Music Conference.
Dannenberg, "An On-Line Algorithm for Real-Time Accompaniment," 1984 Proceedings of the International Computer Music Conference, pp. 193-198.
Vercoe, "The Synthetic Peformer in the Context of Live Performance," 1984 Proceedings of the International Computer Music Conference, pp. 199-200.

LandOfFree

Say what you really think

Search LandOfFree.com for the USA inventors and patents. Rate them and share your experience with other people.

Rating

Method and apparatus for real-time correlation of a performance does not yet have a rating. At this time, there are no reviews or comments for this patent.

If you have personal experience with Method and apparatus for real-time correlation of a performance , we encourage you to share that experience with our LandOfFree.com community. Your opinion is very important and Method and apparatus for real-time correlation of a performance will most certainly appreciate the feedback.

Rate now

     

Profile ID: LFUS-PAI-O-1511852

  Search
All data on this website is collected from public sources. Our data reflects the most accurate information available at the time of publication.